African American Stereotypes in Media

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Stereotyping is a mental activity that is neither characteristic or necessary; in any case, because of sluggishness, childhood or fortuitous encounters, the stereotyping of people brings about unsafe speculations that eventually deny a person’s interesting commitment to humankind. At the point when the broad communications take part in stereotyping, misdirecting portrayals concerning individuals from different social gatherings are affirmed. In this exposition, an expansive scope of writings will be utilized to inspect the manners by which the broad communications develop and fortify social generalizations around sexual orientation, ethnicity and age, just as how the media shape one’s creative mind however direct pictures.

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One of the most enduring stereotypes in American history is that of the Sambo (Boskin, 1986). This pervasive image of a simple-minded, docile black man dates back at least as far as the colonization of America. The Sambo stereotype flourished during the reign of slavery in the United States. In fact, the notion of the ‘happy slave’ is the core of the Sambo caricature. White slave owners molded African-American males, as a whole, into this image of a jolly, overgrown child who was happy to serve his master. However, the Sambo was seen as naturally lazy and therefore reliant upon his master for direction. In this way, the institution of slavery was justified.

Talking about African-Americans, stereotyping of African-Americans was brought to the theatrical stage with the advent of the blackface minstrel (Engle, 1978). Beginning in the early 19th century, white performers darkened their faces with burnt cork, painted grotesquely exaggerated white mouths over their own, donned woolly black wigs and took the stage to entertain society. The character they created was Jim Crow. This ‘city dandy’ was the northern counterpart to the southern ‘plantation darky,’ the Sambo (Engle, 1978 p. 3).

It can’t be questioned that the media significantly impact individuals’ frames of mind and viewpoints. They pass on an entire assortment of data which people would not generally obtain. Papers, books, TV, radio, films, recorded music and well-known magazines carry people into close contact with encounters of which we would some way or another have little mindfulness. There are not many social orders, in current occasions, even among the more customary societies, which remain totally immaculate by the broad communications.

Movies were, and still are, a powerful medium for the transmission of stereotypes. Early silent movies such as ‘The Wooing and Wedding of a Coon’ in 1904, ‘The Slave’ in 1905, ‘The Sambo Series’ 1909-1911 and ‘The Nigger’ in 1915 offered existing stereotypes through a fascinating new medium (Boskin, 1986). The premiere of ‘Birth of a Nation’ during the reconstruction period in 1915 marked the change in emphasis from the happy Sambo and the pretentious and inept Jim Crow stereotypes to that of the Savage. In this D.W. Griffith film, the Ku Klux Klan tames the terrifying, savage African-American through lynching. Following emancipation, the image of the threatening brute from the ‘Dark Continent’ was revitalized. Acts of racial violence were justified and encouraged through the emphasis on this stereotype of the Savage. The urgent message to whites was, we must put blacks in their place or else (Boskin, 1986).

Old themes about African-Americans began to well up in the face of the perceived threat. Beliefs that blacks were ‘mentally inferior, physically and culturally unevolved, and apelike in appearance’ (Plous & Williams, 1995, p. 795) were supported by prominent white figures like Abraham Lincoln, Andrew Johnson, and Thomas Jefferson. Theodore Roosevelt publicly stated that ‘As a race and in the mass [the Negroes] are altogether inferior to whites’ (Plous & Williams, 1995, p. 796).

Electronic communication is available even to the individuals who are totally unskilled, or in confined territories of the world. Sex more often than not alludes to the ‘conduct and attitudinal qualities just as jobs that are found out and got from a ‘specific social milieu’. A significant wellspring of sexual orientation data in a purchaser society is TV. Regardless of some prominent special cases, for instance ‘Sesame Street’, most TV programs keep on depicting guys and females in cliché sexual orientation jobs. In an ongoing investigation of TV programs, male characters are almost certain than female characters to involve positions of authority and accomplish them, just as being depicted as curious.

Also, they are bound to be depicted in an unmistakable occupation, exhibiting to spectators that guys are more profession orientated and committed to work, and underscoring generalizations that they are the conventional ‘providers’ of the family unit. In spite of the way that ladies make up a larger part of the populace, most prime time characters on TV are male, are as yet depicted as amazing and objective. Ladies express feelings all the more effectively and are bound to be coy so as to get their own specific manner.

The broad communications fortify pictures of the matured through stereotyping, which definitely induce dread among the old, marking them as ‘wiped out’ or ‘unreasonably old’ for specific things. By and large, more seasoned men are believed to have control, though more seasoned ladies as observed as feeble. Such a model can be found in the occasion where a more seasoned executive in an American TV plug was demonstrated getting ready to give a discourse to his investors in a business for Coopers and Lybrand in. Being a more established lady isn’t so impressive and very much regarded. In the event that a more established lady isn’t depicted as adoring grandma, there is a decent possibility she will be depicted as decrepit.

Despite the media’s support of social generalizations among the matured, mindfulness could help a superior comprehension of the old specifically. Promoting organizations and publicists utilize youngsters to compose and get ready advertisements. Latest journalists regarding this matter could presume that ‘the age of the promoting makers is a significant factor in making the cliché pictures of age. Youthful makers chipping away at senior records can be an issue, as they don’t have the senior’s point of view, consequently, captivating normally in stereotyping. Such obstacles can be overwhelmed by counseling the huge measure of research promptly accessible on seniors, and by concentrating on a gathering made out of seniors, which thus will fortify elective perspectives on age and maturing.

It is likewise questionable that the media, rather than being viewed as an ‘unbiased umpire’ between contending interests and a proficient method for spreading data, basic scholars contend that the media are ‘particularly embroiled in power relations’ in the public eye. The most basic perspective on the media’s activities speaks to the perusing, tuning in and seeing open as casualties of a ‘monster con stunt, having confidence in a reality helpful for the ground-breaking bunches who depict and translate our general surroundings, along these lines, strengthening the social generalizations.

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