Fantasy in of Mice and Men

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In Of Mice and Men, it appears to be an indisputable law of nature that fantasies ought to go unfulfilled. From George and Lennie’s farm to Curley’s significant other’s fame, the characters’ most loved desires over and over neglect to appear. Nonetheless, the way that they do dream—regularly long after the chance of understanding those fantasies has disappeared—recommends that dreaming fills a need in their lives. What the characters eventually neglect to see is that, in Steinbeck’s brutal world, dreams are a wellspring of bliss as well as a wellspring of hopelessness too.

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For the characters in Of Mice and Men, dreams are valuable since they delineate the conceivable outcomes of human bliss. Similarly, as a guide enables a voyager to find himself out and about, dreams help Lennie, George, and the others comprehend where they are and where they’re going. Numerous fantasies in the work have a physical measurement: Not simply wishes to be accomplished, they are spots to become to. The way that George’s farm, the focal dream of the book, is a genuine spot instead of someone or something underlines this topographical component. Dreams transform the characters’ in any case wandering lives into ventures with a reason, as they invest wholeheartedly in activities that help the accomplishment they had always wanted and dismiss activities that don’t. Having a goal gives men’s lives meaning. For sure, when others start to have faith in the fantasy space that George has made, it turns out to be nearly more real to them than the homestead they work at, a marvel showed by Candy’s steady ‘figuring’ about how to follow through on their dream.

Dreams help the characters feel like progressively dynamic members in their own lives since they permit them to accept that the decisions they make can have genuine, substantial advantages. They additionally assist characters with adapting to wretchedness and hardship, shielding them from surrendering to the troubles they face consistently. In their darkest minutes, George and Lennie summon their farms like a spell that can temper their day by day sufferings and treacheries. George and Lennie quite often fantasize about the farm after some horrible mishap or toward the finish of a taxing day, proposing that they depend on their fantasies as a sort of ointment. The fantasy of the farm offers George, Lennie, Candy, and the others an objective to progress in the direction of just as the motivation to continue battling when things appear to be bleak.

Be that as it may, before the finish of the story, Steinbeck uncovers that fantasies can be as harmful as they are valuable. What George finds—and what Crooks as of now appears to know when he hatefully spurns Candy’s idea to go along with him, Lennie, and George—is that fantasies are over and over again simply a verbalization of what never can be. In such cases, dreams become a wellspring of exceptional sharpness since they lure skeptical men to put stock in them and afterward mock those men for their guilelessness. The laborers’ adoration for Western magazines proposes simply such a relationship to dreams: Each one laughs at the magazines in broad daylight however figures out how to sneak quick looks when nobody else is looking, as though they subtly needed to be the cattle rustler saints of mash fiction. Nobody appears to comprehend this harshness superior to Crooks, whose dismal self-hatred is never more grounded than when he lets himself have faith in Lennie’s fantasy, just to be ruthlessly reminded by Curley’s significant other that he isn’t qualified for satisfaction in a white man’s reality.

At last, the fantasies of farms and hares that George and Lennie’s treasure are the very things that fix them. Allured by how close he thinks he is to understand his fantasy, George fools himself into imagining that Lennie can mind himself and avoid inconvenience when past occasions affirm the opposite. At last, George doesn’t surrender at Lennie’s passing because the farm is everlastingly lost to him, yet rather because his companion—the one great truth of his life, the one reality that reclaimed George from uselessness—is always lost to him.    

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