Summary: Interactions Between Characters in William Shakespeare’s "Romeo and Juliet"

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In William Shakespeare’s, “Romeo and Juliet” Shakespeare uses conventional five-part pattern of tragedy to create interesting interactions between characters and emphasize dramatic irony. The most important structural device in “Romeo and Juliet” is duality between characters for contrast. Shakespeare repeatedly puts two different people or actions or words side by side to heighten the differences between them, which eventually leads to tragedy between all characters.

In Act I, Scene I the article of the story is uncovered, and quickly gives the setting and topic of the play and gets ready perusers for a dramatization of feeling in which the fate of two darlings is dictated by destiny and outside conditions, as opposed to by character. strings of the quarrel activity is here presented with the harmony making Benvolio in favor of the Montagues and the red hot Tybalt on the Capulet side. The fight is stifled when the Prince enters and, within the sight of the leaders of the two houses which have thrice aggravated Verona’s lanes with sears, announces that demise will be the punishment if common harmony is again compromised by their scorn. This notice is a foretelling for the unfortunate peak. The adoration activity is proposed. The oddness of Romeo’s new state of mind is talked about by his folks and Benvolio. At the point when Romeo enters, it is before long found that the reason is solitary love. Benvolio’s assurance to encourage Romeo to overlook this woman readies the route for the adjustment in the saint’s emotions in the disguise scene.

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In Act I, Scene v, entanglements, or rising activities is made. Romeo gets a quick look at Juliet and promptly is enamored with her. As of now the checking powers are grinding away. Tybalt, the main opponent, hearing his voice, remembers him and is rankled that a Montague should set out go to a Capulet feast. He leaves the corridor with an assurance to rebuff this interruption. This is the rationale to the entanglement of the quarrel activity. Romeo and Juliet meet, love at sight, and part; and the emotional ensnarement has started. The sweethearts are isolated and the emotional intrigue and trap strengthened. By some coincidence, once more, Juliet in her admission of affection to the sky and the night is caught by her sweetheart himself, and he goes to her call. In this, the renowned gallery scene, the darlings plan marriage. Through the scene are dispersed presentiments of abhorrence.

Nextly, in Act III, Scene I, the peak or defining moment happens and thee strings of the quarrel activity alongside the adoration activity cross one another. Tybalt in searching out Romeo happens upon Mercutio, who trades brave words with him. By some coincidence, Romeo comes that way. Tybalt calls him ‘miscreant,’ yet he controls his resentment at this affront out of regard to his mystery new union with a Capulet. The hot-blooded Mercutio is maddened at what is by all accounts an abhorrent accommodation and takes up the battle. Romeo and Benvolio divide them, yet Tybalt strikes Mercutio a last vindictive brush and after that keeps running off.The blow is fatal and the death of his friend rouses Romeo to revenge. Tybalt comes back in triumph but soon is the victim of death at the hands of Romeo. Citizens and members of the two houses gather. The Prince hears an account of what has taken place and Romeo is sentenced to banishment.

Furthermore, in Act III, Scene II, the rising action or consequence unfolds as Juliet is told of her cousin’s death and her husband’s banishment. After she has become almost distracted with confusion and despair, the Nurse finally says that she knows where Romeo is hid, and goes to take him a ring from Juliet and ask him to come that night to take his last farewell.In Act III, Scene III, when Romeo hears his sentence of banishment he gives way to despair. What the philosophy of Friar Laurence fails to do in the way of comfort is affected by the message from Juliet. The Friar warns him to depart by break of day for Mantua and promises to keep him informed of happenings in Verona. Later, The scene shifts to Mantua. Irony and ominous foreboding are found in Romeo’s cheerful thoughts, caused by a strange dream. When Balthasar brings him news of Juliet’s burial, but no word from the Friar, the audience realizes that there has been some dangerous mistake in the carrying out of the intrigue. After Romeo has determined to be with Juliet that night in the monument, and has, by bribing a poverty-stricken apothecary, procured the means in the shape of an instant-working deadly drug, all seems lost — yet a slight hope remains that chance will intervene and avert the tragic end.

In Act V, Scene III, the  fate is hostile to the end and drags down not only the two lovers but Paris as well; Romeo killing Paris, Romeo killing himself after believing that Juliet was dead, and Juliet finally killing herself as well after seeing Romeo dead. After this tragic ending of the love action and the feud action, the Friar explains the marriage and intrigue to the Prince; taking whatever consequence lies ahead of him. At last the family feud is ended, ironically, by the death of the star-crossed lovers.

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